Miranda Otto Discusses Perspectives on Her Career, Devoted Fans, and Life's Gifts.
In a candid conversation, Miranda Otto reflects on subjects as varied as her latest role as Queen of the Cuttlefish to the profound lessons gleaned from theatrical mistakes and fan interactions.
Given the Chance to Become a Sea Creature for a Day
Your latest role is Queen of the Cuttlefish in The Pout-Pout Fish; if you could be a fish for a day, which one would you choose and why?
Straight away, the blue groper residing near Clovelly beach – since it is a local landmark, and people go there specifically to spot it. It strikes me as remarkable that there’s a local fish that people actually seek out and discuss – it holds a unique status.
A Cinematic Staple to Return To
Which movie do you always return to, and why?
Ernst Lubitsch's 1942 film To Be Or Not To Be. I love this film. When I was childhood, it would air on television every now and again, and one time I recorded it. I found it was hilarious. It’s Carole Lombard and Jack Benny. Recently they were playing it at the Ritz and I discovered that it was the preferred movie of an acquaintance, and so we attended and simply chuckled repeatedly. It is a masterful work of humor and all the actors in it are superb. Mel Brooks did a remake in the 1980s – which was not as effective. But the original film is an exceptional farce, to be watched regularly.
A Priceless Insight Gained Through a Fellow Actor
What’s the best lesson you took away from someone you’ve worked with?
Years ago I performed in A Doll’s House alongside Peter O’Brien – now my spouse, but back then we were not together. We portrayed characters opposite each other and on opening night I tripped up – I skipped forward a few lines in the script. I was unaware what I’d done but I suddenly realised something wasn’t right. I remember glancing toward him, and he completely saved me, and then the scene took off again and proceeded splendidly. However, I believe the insight gained in that moment was, firstly, always trust the individuals you’re working with. When you lose your place, if you turn around and toward the people sharing the stage with, you can rediscover your correct position in some way. It is a profoundly collaborative endeavor, acting on stage. And secondly, just to have a sense of fun regarding it. Occasionally when a mistake occurs, things can ignite in a really great way if you’re fully engaged then. It may become an unexpected boon when things go completely the wrong way.
Heartening Interactions with Admirers
Can you describe your most touching interaction with a fan?
It’s not just one specific meeting but when I meet fans of Lord of the Rings, especially female fans, I am told numerous accounts about how that character impacted them when they were younger … things that had happened in their lives and how much Eowyn meant to them and was some kind of help to them during those periods.
What do you get asked about the most by Lord of the Rings fans?
The most specific inquiry concerns invariably regarding the stew that Eowyn serves Aragorn. “Did that stew taste really that bad?” It’s become a running gag, the entire episode involving that dish, and everyone wants to know what was in the pot, and its preparation method, and do you think her skills improved now, or do you think she really is a poor chef? Fans seem, I think, obsessed with the humour of that situation. And I go into lengthy descriptions describing the components that made up the concoction – as I recall the efforts made; such as put bits of colored thread to simulate the appearance like bits of veins in the meat. They went to great detail to render it as bad as possible.
An Awkward Star Meeting
What was your most cringeworthy run-in with a famous person?
I was at a pilates class and there was a woman lying down doing pilates, and the instructor said to me, “Oh, Miranda, this is Miranda.” And I made a lighthearted remark inquiring, “oh, are you a journalist?” Because it’s an unusual name and often when I meet another Miranda, they work in media. I wasn’t really seeing who it was. And as she rose, it was the actress Miranda Richardson. At that point, I didn’t know words. I was obliged to complete my class, and I experienced so embarrassed. I wished to explain: “Goodness, I do know who you are!” I think she’s so fabulous and I was just too starstruck to say anything.
The Origin of a Moniker
It’s been confidently claimed that you were named after Prospero’s daughter in Shakespeare’s The Tempest, and yet you've mentioned you saying otherwise – can you clarify this once and for all?
Yes – I was named after the Sydney suburb. My mother heard on the radio that they were opening a shopping centre at Miranda, and she thought seemed a pleasant choice.
Pandemonium on Location
What’s the most chaotic thing that’s ever happened on set?
When I was working in Brazil on Reaching for the Moon I experienced the least organized set of my career, and yet the film emerged brilliantly. But they just work in such a different way. Their concept of time there is unique. In Australia, you normally have a call sheet and must arrive on set by a certain time. But this was sort of flexible – you come on set at one's convenience. It was a novel approach for me. The elements were all coming together at the final moment, and at times they wouldn’t know the next location the next day the methodology. And then you’d be in during a scene and wondering, “What was that noise that just interrupted the scene? Oh, it’s a crew member popping open a bottle during filming, because he’s making a party.” The result was great, but goodness, it’s a distinct style of film-making.
A Hidden Talent
Do you have a secretly good at?
I naturally possess an aptitude for numbers. I memorise numbers easier than I learn dialogue often, I’ve just got that kind of a brain. So I believe if I hadn’t ended up in acting, I likely might have entered a field something to do with numbers, like mathematics or finance.
The Finest Piece of Advice Ever Received
What’s the best piece of advice you have ever received?
When I was in secondary school, someone came to speak when we were graduating and they said, “don’t be afraid to fail” … an idea I consider is supremely valuable counsel, because you learn far more from setbacks than you learn from triumph. With success, one rarely understand exactly how it happened. Failure, the lessons are abundant.